“I really feel that's been why we've been successful over the last two years. We were stepping into a big gap in NYC. Funnily enough, in our first year people used to joke about how big a risk we were taking, that at least I could go back to Australia after it was done. But I knew there was an audience and a need for this - I knew that if there was something like NYMF that allowed writers to get their work up and seen, then audiences and producers and writers would be excited by it and support it.”
