“You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you. The more you pull away from the public, the less power you have on screen.”
“A cello's soul is the resonance that makes it unique: how it was made, when it was made, who's played it. Mine may be who my parents were, what I know about life, who I love and have loved. All that makes my bones resonate. If a director is fortunate enough to tap into that, it's an endless well of information.”
“I don't think that making ourselves invulnerable to feeling any onslaught to our feelings will help us in life, ultimately. I think we only learn and grow by allowing ourselves to be really challenged by those feelings that do overwhelm us occasionally.”
“Somewhere in your career, your work changes. It becomes less anal, less careful and more spontaneous, more to do with the information that your soul carries.”
“There are other non-English, Asian, Mexican... many, many directors I'd love to work with of different nationalities because a different national temperament and a different rhythm and a different way of looking at things is enlightening to work with.”
“I think that Shakespeare had his male side and his female side extremely well developed. And this was a great quality of the Elizabethan, all-around Renaissance man. They were not afraid of their male side and their female side co-existing. This somewhere along the line got lost. And then it got misunderstood.”
